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the systematic and the random
That digital montage became the model for the first painting
This print is last in edition
this artwork was made by tightly clasping a single pigment pencil
Andrew's Refrain Brent Hallard the systematic and the randomThe technique Johnson employs is extremely rigorous, involving, as he says, pushing paint around with palette knives and drywall tools rather than brushes. The scraping and sanding creates a variety of different textures and leads to the emergence of unexpected forms. Johnson has said he does not believe in inspiration. Instead, he believes in evolution. He is motivated by process. Rather than being planned ahead of time, the work emerges through a
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