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and an essay by Carol Armstrong that traces compositional polarities and synergies through Frankenthaler’s output of this era
projected light environments from the Ganzfeld series
it might also be seen as a self-portrait
Invoking flowers as a symbol of peace
Willem de Kooning: Abstract Landscapes, 1955–63 Woodcut and an essay by CarolThis book was published on the occasion of the exhibition Willem de Kooning: Abstract Landscapes, 195563 at Gagosians former gallery on West 23rd Street in New York. The selection of large scale gestural abstractions by the leading Abstract Expressionist traces a stylistic trajectory that critic Thomas Hess characterized as a sequence from Abstract Urban Landscape and Abstract Parkway Landscape through Abstract Pastoral Landscape. The catalogue
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