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The spectator is forced to follow the same creative path that the authors followed when creating the image
and the use of secular and contemporary iconography
It sheds light on this little-known part of the work and uses around 70 original prints to explore its significance within Feininger's oeuvre
“Casa Azul” (Blue House) is part of a socio-visual eesearch developed with by Giulia Iacolutti and the sociologist Chloé Constant
In trentatré frammenti Signed Books The spectator is forced to
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