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arranged by Paul Edmund-Davies and John Alley
seven from only four different fingerings
two of which were for an instrument with the so-called “Viennese bass octave”
As a stylised dance it principally appeared in the piano repertoire of Franz Schubert and Frédéric Chopin as well as Beethoven
Suzuki Cello School Volume 9 Cello Part w Piano Accomp *Protec arranged by Paul Edmund-Davies andSuzuki Cello School Volume 9 Cello Part w Piano Accomp
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