Jonas Wood: Japanese Landscape Kasper König These images are consistent with

These images are consistent with Ruscha’s frequent use of the window as metaphor and seem to participate in their own destruction

Wolfson portrays himself clutching a smartphone

And they have the look too of the residue not of an individual life but of a culture

From 1946 onward

Jonas Wood: Japanese Landscape Kasper König These images are consistent withJonas Woods limited edition print Japanese Landscape (2022) pictures a dense wooded clearing with a meandering path that leads to a distinctive Japanese building. In this soft ground and aquatint etching, Wood creates an engaging variety of shapes and textures with just two shades of black and gray ink. Exemplifying the interplay of content and form that is a hallmark of the artists practice, as well as his engagement with the aesthetics of Japanese