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it follows from the logic of composing a quadruple fugue that the combinations joining all four subjects and rendered the latest when performing the work were already completed in the very first stage of composition because the possibility of overlapping the four subjects (1+2+3+4) is the sine qua non of writing a quadruple fugue
For many years I’ve found those words from the Old Testament very fascinating – as everyone knows
and is thus compatible with all available music editions
arranged as a rhymed libretto with various roles by Franz Bonn (1830-1854)
Quartet in C major Op. 73 No, 1 John Hoybye it follows from the logic
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